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what I expected

    He is everything 1 ever wanted in a man, all that I've dreamed of.
When 1 see him, there is a primìtive recognition. Ours eyes meet,
our souls collide.
    "you're not what I expected .."
    "Pardon?" Meghan blinked and focused on the pirate instead of her
runaway pheromones.
    "Um, I meant you're kind of overdressed for a beachside resort.阳His
mouth curved into an odd smile. "Nice shoes."
    She glanced down at the high-heeled white sandals that went with her
walking shorts. 141 guess I haven't gotten into vacation mode yet."
    With a tip of his head, he indicated the crowd of people around them.
"This is some party, huh?"
    "It just got a lot better." Was she flirting? She was ßirting. Cool.
    His smile widened at the inadvertent compliment and he stood a tittle
taller, if that were possible. "1 was thinking the same thing."
    Meghan dropped her gaze, not believing him. 丁his guy was sending out
signals that had her completely off-balance. She fidgeted , twirling the gold
bracelet around her wrist. J'So, do you come here often?"
    "Never been to this resort before, but I spend a lot of time in Key West."
    "What do you do?"
    "I'm a broker."
    She glanced at his shirt. A blind man could see that bold, gaudy pattern
a mile away. "Forgive the observation, but jt's hard to picture you calling
orders down to the trading floor."
    "Working vacations are always casual. What about you?"
    Someone jostled him from behind. As he tumed to look, he took an
unconscious step toward her. His right hand bumped her breast and a
shock of awareness zinged along her nerve endings. She gasped and he
swung around, looking at her curiously.
    Wow. If she reacted like this to an accidental fondle, she wasn't sure
she could handle a deliberate one. Reeling from the thrill of his unexpected
touch , ít took a second to remember his question.
    "Oh, um. For the past few years I've been working as a paralegal."
    "That's a legal assistant,right?"
    "Yes. I did most of the work for a trial, like filing documents with the
court, interviewing witnesses and preparing evidence." Meghan realized
she was babbling. She smoothed a damp palm over her hair and cleared
her throat. "Anyway, I'm starting at U niversity of Miami Law this fall."
    "So you're going to be an attorney." The comers of his mouth angled
into a smirk. "Did you hear thetre using lawyers in lab experiments now?
Apparently there are some things even rats won't do."
    "Gee, I never heard that one before." She rolled her eyes and laughed
along with him. "I'm going into civillaw, not criminal. I want to do mediation
and binding arbitration."
    "1 guess this is your last vacation for a while." He tipped his beer botlle
toward her in salute. "HereJs hoping it's a memorable one."
    She felt another wave of heat, and not just in her cheeks. His voice was
low and smooth, as sensuous as the rasp of bodies sliding over satin
sheets. .. The sound of 'Iaughter and applause brought her back to the
present.
    "Want to see what's going on?" Her pirate gallantly offered hìs arm,
placing her hand in the crook of his elbow. His skin felt warm, the dark
hairs silky. Her fingertips tingled at the point of contact, sendíng a tremor
along her nerves.
    He forged a path to the pool side of the deck1 made space near the
railing and maneuvered her to stand in front of him. His body heat
penetrated her back and she had a crazy urge to rub her tush against his
zlpper.
    Very subtly, she angled her head to the side. Casting a glance over one
shoulder, Meghan studied :her fantasy man. She mentally stripped off his
g.arish shirt and tight jeans. His body would be perfect-she just knew it.
Lean, hard I athletjc. Hard.
   
   

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Now That You Know

    Describe a season of church conflict you've experienced
either as a minister or member. What did you learn from
the exper ience? If the conflict still colors how you operate
within the church, confess that to Jesus. Be honest with
your feelings, but don't allow Satan to feed your offense.
Seek out a wise pastor's wife who wi ll help you work
through these hard days.
    Children do not have the abil ity to separate people from
their actions. If someone is making their dad stressed or
their mom cry, they know nothing but to be angry. Many
preachers' kids say the way thei r parents were treated in
the church drove them from it as adults. Guard young children's
ears and hearts as much as possible. Make an effort
to rema in positive in front of teens.
    Guard your tongue! I can't stress enough the damage
that can be done w hen we speak fi rst and th ink later. If in
doubt, don't say it. If your heart is pounding in anger, t urn
and walk away. Tel l it to Jesus. He alone can calm your
heart.
    Laypeople: I don't know if you can fu lly comprehend the
good intentions your ministry family has toward you.
    And frankly, that stinks. (Hardy, har.)
    So how do we go about finding BFFs in the church? What should
you look for in a friend? What type of friend should you be? How
do you avoid being exclusive or reclusive to the detriment of your
church? Let's use examples from one of the most famous friendships
in Scripture that of David and Jonathan as a guide.

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M a m a ' s S h o e s



                                 1940
                                Sylvia
    I open the closet door and hang n1y wedding dress next to the dress I wore to n1y 1nama's funeral, and then 1ny daddy's, not two weeks later.Its blue softness slips through n1y fingers. I count the tiny pearl buttons at the neckline, dyed to n1atch the dress. There are ten. I pick up the box that holds n1y wedding shoes, my first high heels. I look down at n1y feet and wiggle n1y toes encased in saddle oxfords - a school girl's shoes.
    I sit on 1ny bed and place the shoebox beside me. My hand rests
on the faded log cabin quilt and I ren1ember it on Mama's bed. When
she and Daddy died, I put the quilt on my bed, and sleeping under it
comforts 1ne. I open the box, lift a shoe out of the tissue paper, and hold it up to a spot of sunlight hovering over the bed. A giggle escapes my lips as I kick off n1y shoes and slip on n1y high heels. I sashay out of the roon1, adn1iring the tap, tap, tap rising off the floorboards.
    "Sylvia, do you want to be a young n1an's slave or an old man's
darling?" Gaines Richardson said when he proposed to n1e. I know
everybody thinks he's too old for n1e and that l'n11narrying hin1 because I have no fa1nily left. But that's not true. I may just be six teen, but life in these 1nountains has brought me up hard and fast. I could get on the bus tomorrow and head to Seattle, Washington and live with Aunt H at, but l'n1 going to n1arry Gaines and live happily ever after just like a fairy tale.
    I am not like the won1.en in Coal Valley, content to live in the
hollers and raise a bunch of young'uns until life wears 1ne out and I
beco1ne old and wrinkled before I'm thirty. And Gaines is not like the
1nen in Coal Valley he has a1nbition.
    Scratching out a living in the coaln1.ines will not do for Gaines
Richardson . Together, we are going to travel across the United States
until vve reach the ocean. Tonight I will sleep on R ock House Mountain
for the last tin1.e. To1norrow, I start n1.y new life.
    


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Longing To Know Her



    In vintage photos, Agnes Isabella (Maybelle) Guertin, age six,
wears a white ruffled dress; a white bow in her dark pipe curls.
She is angelic, a French Canadian/Irish beauty. The sepia photo
does not reveal it, but her eyes are soft gray.
    Age ten, with her family, another white dress, black stockings.
Maybelle is somber. A professional photographer is serious
business.
    Age ten, again a white dress, she and her brother straddle a
fence around a pigpen, while their father works beside them.
    Age eleven, a school group photo, Maybelle chose a black
dress, long black stockings, and black high-button shoes. She
holds hands with a blonde girl. In the front row, a student holds a
slate on which is written; Guertin School, 1914. Country schools
were named for the person on whose land the school sat; in this
case, my great-grandfather, Zebulon Eugene Francis Guertin.
    The two school girls, now teenagers, their hair fashionably
bobbed, smile as they pose with a tree trunk between them,
their hands clasped together around the tree. The picture
speaks one word: Friendship.
    "Maybelle was kind of shy, but she had lots of friends," my
uncle tells me when I ask what my mother was like as a child.
    June 14, 1921, petite, eighteen-years-old; the newspaper
wedding announcement states that the bride was becomingly
gowned in a white crepe meteor dress and a white hat. The
photo reveals white stockings and white pumps, but no hat.
Maybelle sits beside the handsome groom, Frank Dries, age
twenty-five, on separate chairs. Her hands, resting on a shower
bouquet of bridal roses, display a diamond ring and a plain
gold band. Around her neck, a crucifix on a chain. The wedding
announcement states that the groom, wearing "the usual blue
serge" is "well and favorably known in this community, he
having grown to adulthood in our midst. He is a prosperous
and industrious farmer." Maybelle looks frightened. None of
the foursome in the wedding party is smiling. Marriage is
serious business.
    A year later, stylish in a black coat, black cloche, black
stockings, black shoes, Maybelle stands on the Iowa farmhouse
porch, holding her first-born child, Joseph Edgar, named for
his two grandfathers.
    The farmer's wife poses behind a team of horses, reins in her
hands. Her dark curls are covered by a man's felt hat, the brim
shading her eyes from the sun. A loose apron over a Mother
Hubbard dress does not conceal her second pregnancy. There
will be many more.
    "Maybelle loved babies. She'd walk for miles to see a new
baby," my aunt tells me when I ask what my mother was like
as a girl.
    Through the years Maybelle controls the Kodak box camera,
documenting the lives of her children as they multiply. There
are few photos of her; now and then she appears. My younger
sister and I sit with her in a meadow. She stands in the yard
with my father and their oldest son, soon leaving for World
War II. She and I pose together in the snow, squinting into
the sun. She sits on the lawn with my brother, the two of them
shelling peas from the garden. She peeks from behind a pine
tree, hiding from the camera. One Sunday morning, she is
spiffy in a navy blue suit and hat.
    The years pass, her girlish figure gone, she is photographed
with twin boys, her last born. The family gathers on Christmas
day for a professional group photo in which we all smile goofily
at the camera.
    Soon, my father disappears from the pages of the family
album. Ma is grateful for the group photo; there are only two
showing all of us together.
    Before long she is gone; in her sleep. In a picture in her
coffin, she wears a gray dress with red trim, chosen by my
older sisters. They like the touch of red. They tell me, "Poppy
didn't like her to wear bright colors. He thought they were
flirtatious."
    Long years later, still missing the mother who never grew
old, I covet the silent images in pictures. I study her eyes, her
smile, her frown; her body language. I strain to hear her voice,
trying to understand who she was-longing to know her.

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Come to think of it


    I weighed up my options. I could turn my
'shock' up a level and hope to appear even more of
a victim and evoke sympathy from the middle-aged
lady and the rest of the unseen crowd. I could kiss
my teeth, slouch over and fire obscenities toward the
officers, knowing that my light blue tracksuit would
help if I chose to go with this character. I could ...
my thoughts were interrupted by the crackle of the
fat officer's radio. What appeared to be relief spread
over the fat man's face as he stepped away to answer
the call.
    The calmer, patronising officer smiled at me.
'Sorry, it's just that there has been a lot of theft
lately.'
    'Jesus Christ,' I thought and said. Is this his
attempt to appease the situation? Is this his attempt
to make me feel better?
    'Do you have any identification Sir?'
    If my face were a sheet of paper, after this
question the first sentence written on it would have
been: I am so fucking fucked off you piece of shit.
'I'm sorry Sir, it's just part of-'
    'Shush,' I interrupted, reaching into my car for
my wallet. I fished out my driver's licence and

handed it over. 'Please, just don't talk to me
anymore.' This "please" was in no way meant to be
polite. I made sure I maintained eye contact as I
watched the officer step away and speak into his
radio. This was another thing I was good at; eye
contact. Whenever I was dealing with a client, or
talking to women. Hmmm, women. My lapse of
concentration suddenly made me feel twenty
percent better. The thought of women always
cheered me up. The sight of the fat and patronising
officers returning to me quickly erased the twenty
percent.
    'Thank you Sir, have a good evening.'
    It took a lot of strength and maturity for me to
not slap the patronising officer as I took back my
licence. The fat officer smiled at me. In my head I
smashed his face in. I watched them enter their
patrol car and I'm sure they broke the speed limit as
they disappeared out of the forecourt into the dark
street.
    As I stood there, trying to convince myself that
I didn't feel at least slightly humiliated, the
middle-aged white lady exited the petrol shop. She
entered her annoying looking green Nissan Micra
as she gave me the filthiest of looks. I replied by
giving her my 'have you got a problem?' look,
which was basically an animated frown. It was
successful and she sped off, surely also breaking
the speed limit.
    I took a deep breath and briefly looked up to the

sky. Looking back down, I could make out my
distorted reflection in the door of my shiny, black
baby. My wonderful BMW convertible, with cream
leather interior. I planned to jump in and vroom off
into the warm night. A night so warm, that I had
the roof down. I suddenly didn't feel so bad, in fact,
the twenty percent returned. On taking one last
look around the empty forecourt, I caught the eye
of the Asian guy who worked in the shop. He
peered out through the window as he stood behind
the counter. I had known this man's face without
knowing his name for a couple of years. Over this
period I had observed that the Asian man's accent
(was it Indian?) had faded. I also noticed how
despite this, customers would over pronounce their
sentences, and how they would speak very slowly
to him, as if the Asian man didn't understand what
they were saying. As if he were stupid. I always sort
of cringed and felt a little sorry for him when this
happened.
    The Asian man looked straight at me, he had a
look of ... surely not, I thought. The Asian man
appeared to feel sorry for me. How dare he? In
annoyance, I jumped into my BMW. As Idisappeared
out of the forecourt, so did my twenty percent.
    As I travelled through the night, I thought about
how my time had just been wasted. I recalled the
officers attempting to strip me of my dignity. I

thought about how their behaviour was racially
motivated. There was no way that I could be
convinced that the bullshit questions they asked me,
stored in their bullshit computers were not
activated by the colour of my skin. All I had done
was have the audacity to be black and buy a nice car
and fill it up with petrol. How dare I?
    I put my foot down and thought about how
much I loved driving. I loved feeling the cool
breeze softly gliding across my chocolate skin. As
a child I had always dreamed about cruising
through London in a sexy convertible sports car. I
would picture myself speeding through the night
while the city was asleep. I collected toy cars as a
youngster and had many fantasies about weaving
in and out of traffic like I was on a mission. Like I
was James Bond. I always thought that James Bond
should be black. Despite this, I didn't have too
much to complain about. Here I was, flying
through the dual carriageway in my convertible.
Oh how the breeze felt good after a long day at
work. The air and the sound of other cars whizzing
past kept me awake.
    I reflected on how I had completed the sales of
two of my developments today. It was a great day
at the office, I thought. Come to think of it, it had
been a good year so far. So why, I wondered, did I
feel anxious lately? What was bothering me? Why,
no matter how fast I drove, did that irritating cloud
seem to follow me everywhere?



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TRANS'LATING INDIVIDUAL ISSUES TO GROUP ACTION


    There are a variety of ways to tell when a group is ready for action. Members
may be speaking eagerly about their experiences. Someone may say something
that the others respond to with energy and spontaneity where earlier the conversation seemed to limp along . Several people may literally be sitting at the edge of their seats or expressng strong emotion when they speak. Once you have determined that the group is ready for action, as the director ask yourself,
''What will the action be ?"and "How do I enlist members to participate in it?"
    In order to answer these questions, the director must listen closely and attend to the group interactions as they evolve. The group's dynamics are intensely important to the director,.as the action emerges directly from the group's process.
    She must discover what common themes are emerging from the discussion
that can be explored sociodramarlcally.As she listens to people tell their
individual stories (plots), she listens for the themes (universal ideas and issues) that tie the stories together. Among these themes are unresolved issues shared by group members, for instance trusting a friend. They are called ope11. tension systems. The director also listens for what specific needs people have that can be satisfied through the action of the s:ociodrama, for instance the need to assert independence. These are called act hung-ers. Out of the open tension systems and act hungers, one main issue crystallizes- for instance, setting ltmits with friends. This issue, with which all group members seem to be concerned, is called the shared central issue.
   

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Why The Craze And Controversy Over Hemp Clothing?


Hemp clothing is made from Hemp fiber which is taken from the plants of the Cannabis family. Cannabis is a dioecious plant that can be produced into fiber cloth. The plant, being of major technological importance as a fiber and being one of the most influential psychoactive plants in human culture, was most likely a key trade item from a very early date.
Now, hemp is difficult to grow in the United States even for industrial use because of its association with marijuana. The two plants belong to the same species, but they have been bred to achieve different ends, and industrial hemp does not contain enough tetrahydrocannabinol to make it a psychoactive substance.
The first cultivation of hemp in America seems to have been in Nova Scotia in 1606 and it subsequently became widely grown across North America for its use as a fiber. Hemp clothing was the major part of wearable products until the 1920's. Until that time, it made up nearly 80% of the clothing market.
The Chinese are currently the world's largest producer of this controversial fabric. The Chinese hemp clothes makers use a chemical process to create the fabrics while their contemporaries on the European continent use cleaner, biological enzyme technology to produce similar fabrics for hemp clothing. Thousands of years back, the cultivation of hemp for industrial purposes was attempted and it was used to manufacture rope, canvas, paper, and clothing until alternative textiles for these purposes were discovered.
The typical hemp fabric used is not as white as cotton. It does not have the same softness as the cotton fabrics as well. To manage this, manufacturers used a blend of cotton and hemp. Advances in breeding of the plants and treatment of the fibers have also resulted in a much finer, softer fiber, which is ideal for weaving into clothing. In Canada, manufacturers have created a process to make them into a softer and whiter product known as crailar; a fabric much more similar to cotton. Growing industrial hemp in the United States is heavily regulated, although Canada, its neighboring nation, grows commercial amounts of hemp.
This fabric is much stronger than conventional clothing products. It has approximately three times the strength of ordinary cotton products. Hemp clothing is also more lightweight and absorbent. It is ideal for outdoor wear because of its resistance to ultraviolet radiation and mold.

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